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Kenni Ther ’16 had his young charges hanging on his every word, eyes focused, sticks in hand, a mix of drums and upside-down buckets in play on a gorgeous afternoon in downtown Appleton’s Houdini Plaza.

“I get tired of talking sometimes,” Ther told the gathering of several dozen kids and the adults they brought along for this high-energy teaching session on Brazilian samba drumming. “That’s why I have the drum. I’ll let the drum do the talking for me.”

And, so he did. And the young drummers followed suit as a couple hundred spectators nodded their approval.

A few hundred feet to the east, a crowd overflowed from the patio at Bazil’s Pub as singer-songwriter Christopher Gold played a heartfelt set and shared stories of joy and despair and the wisdom gained from both.

It was the middle of the afternoon. On a Thursday. Welcome to Mile of Music.

The annual four-day all-original music festival kicked off its seventh edition on Thursday, mixing nearly 900 live music sets in 70-plus venues with more than 40 interactive music education workshops, a blend that differentiates this festival from most any other music event on the planet. It continues through Sunday — and, yes, admission is free.

The Music Education Team, supported by a grant from the Bright Idea Fund within the Community Foundation for the Fox Valley Region, is a full-on �������ϲʿ������ juggernaut, led by music education instructor Leila Ramagopal Pertl. It features more than 25 instructors, many of them, like Ther, alumni who developed their musical skills and nurtured their passion for music while students at the Lawrence Conservatory of Music.

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Like the festival itself, the music education workshops have grown in size and scope since first launching in 2013. More than 7,000 people are expected to take part in the hands-on sessions before the finale, a ukulele workshop, brings it to a close on Sunday afternoon.

“It’s great to get out in the community and have people learn music in not a classroom setting,” Ther said after the samba drumming workshop ended. “Sometimes people think you only get to learn music in your private lessons or in a school band or orchestra or choir. No, music is for everybody. Everyone listens to music, so everyone has the right to be their own musician and figure out music on their own.”

A few blocks down College Avenue, on the green space next to Brokaw Hall known as The Grove, Nestor Dominguez ’14 was leading a mariachi band — Mariachi Jabali, featuring students from Appleton North High School — as they introduced the music to a couple hundred onlookers. They ran through a variety of music within the mariachi genre, from jarabe to bolero to ranchera to polka.

“Just get up and wiggle around and come up with a dance,” Dominguez encouraged the crowd as the band showcased the popular jarabe style. “If you’re going to be here with us, you need to get up and dance.”

Then there was bolero, the mariachi music of romance. Dominguez, who plays and teaches mariachi music in Chicago, encouraged the crowd to make and maintain eye contact with the person next to them as the music played.

“Eye contact is so important,” he told them. “Let’s connect as human beings. … I’m not saying you’re going to fall in love with the person next to you, but that would be all right.”

A world of music in our back yard

As the music education offerings at Mile of Music have evolved over the past seven installments, they’ve taken on a more global feel, Brazilian samba drumming and mariachi being part of a festival mix that also includes, among others, Ghanaian drumming and dance, Afro-Cuban singing, and Balinese gamelan. New this year are sessions on Native American music and dances of India.

That’s not by accident. Ramagopal Pertl said the team has purposefully set out to showcase as many cultures and styles as possible, a theme embraced by team members and the audience alike.

“That is really important, especially for the little ones,” said Francisca Hiscocks of Appleton, a native of Spain who attended Thursday’s Brazilian samba drumming session. “Just for their education, to be exposed to something different, that’s important. For me being from a different country, I think this is so great.”

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Thel, who teaches music at a middle school in Oshkosh, said cultural variety in the festival’s music education outreach is all about being inclusive and enlightening.��

“Maybe hip hop is your thing, that’s great,” he said. “Maybe acoustic guitar playing is your thing, or the ukulele workshop, that’s your thing. Everyone has a specific rhythm in their heart that they can relate and respond to. We’re just trying to help people figure out what that is.”

Mile of Music was drawing rave reviews as it got rolling Thursday. Music could be heard coming from everywhere along and near College Avenue — in bars and coffee shops, in Memorial Chapel, on patios, in alleyways and on green spaces on the Lawrence campus. Even from a camper parked on the Ormsby Hall lawn, home to the Tiny House Listening Lounge, a new venue for this year’s festival.

“I think this is just all really cool,” said Sarah Fischer of Appleton, taking in the festival’s opening day.

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Cool, indeed. And the opportunity to bang a drum, get a lesson in songwriting, or learn about Native American flute playing while you’re here, well, that’s a bonus that is music to the ears of anyone who cherishes the connections between the festival, the community and Lawrence.��

“We all agreed from the beginning that this wasn’t the type of festival that was ogling celebrity, it was craft focused,” said Cory Chisel, the Appleton-raised singer-songwriter who co-founded the festival with marketing executive Dave Willems. “It was like, here are innovative, exciting songwriters from around the world, and I wanted to bring all those people to Appleton specifically because of the specialness of this place and the music that was inside of us and the talent level we have inside of us here.”

It isn’t just about listening to and discovering new music, although that is a huge focus of the festival. It’s also about participating in the music-making, connecting the community with the music, Chisel said. Hence, the launch and growth of the Music Education Team. The partnership with Lawrence for that piece was as important as anything else in establishing the festival as one of the bright lights of the Midwest music scene.

“Mile of Music was about that connection,” Chisel said. “And Lawrence has been deepening and strengthening that community relationship.”